Being a writer is a very peculiar sort of a job: it’s always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins. It has no job security of any kind, and depends mostly on whether or not you can, like Scheherazade, tell the stories each night that’ll keep you alive until tomorrow. There are undoubtedly hundreds of easier, less stressful, more straightforward jobs in the world. Personally, I can’t think of anything else I’d rather do, but that’s me.
If you want to be a writer, write. You may have to get a day job to keep body and soul together (I cheated, and got a writing job, or lots of them, to feed me and pay the rent). If you aren’t going to be a writer, then go and be something else. It’s not a god-given calling. There’s nothing holy or magic about it. It’s a craft that mostly involves a lot of work, most of it spent sitting making stuff up and writing it down, and trying to make what you have made up and written down somehow better. …
It does help, to be a writer, to have the sort of crazed ego that doesn’t allow for failure. The best reaction to a rejection slip is a sort of wild-eyed madness, an evil grin, and sitting yourself in front of the keyboard muttering “Okay, you bastards. Try rejecting this!” and then writing something so unbelievably brilliant that all other writers will disembowel themselves with their pens upon reading it, because there’s nothing left to write. Because the rejection slips will arrive. And, if the books are published, then you can pretty much guarantee that bad reviews will be as well. And you’ll need to learn how to shrug and keep going. Or you stop, and get a real job.
John Cleese - a lecture on Creativity (by novelhaven)
John Cleese’s 5 Factors to making your life more creative:
Space (“You can’t become playful, and therefore creative, if you’re under your usual pressures.”)
Time (“It’s not enough to create space; you have to create your space for a specific period of time.”)
Time (“Giving your mind as long as possible to come up with something original,” and learning to tolerate thediscomfort of pondering time and indecision.)
Confidence (“Nothing will stop you being creative so effectively as the fear of making a mistake.”)
Humor (“The main evolutionary significance of humor is that it gets us from the closed mode to the open mode quicker than anything else.”)
I returned to college in the Fall, but my mind wasn’t at rest. My family was not any too well fixed; I felt out of place, the coaches were insulting, I was lonely; I left and went down to the South to think things over. Since then, on my own, I have been learning fast, writing a lot, reading good men, and have been slowly making up my mind, seriously & quietly. Either I am loathsome to others, I have decided, or else I shall be a beacon of rich warm light, spreading good and plenty, making things prosper, being a cosmic architect, conquering the world and being respected, myself grinning surreptitiously. Either that, Sirs, or I shall be the most loathsome, useless, and parasitical (on myself) creature in the world. I shall be a denizen of the Underground, or a successful man of the world. There shall be no compromise!!! I mean it.
“
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A 19-year-old Jack Kerouac writing in his diary in 1941, at once a living testament to the richness of life as a college-dropout-turned-lifelong-learner and a poignant meditation on the most fundamental tension of the human condition.
All the adults are saying, ‘We need to improve science in the world. Let’s train the kids.’ I’ve never heard an adult say, ‘We need more science in the world. Train me.’